Meets all goth-adjacent indie-dance needs squarely. They still quake, but not quite like before Without Glass, Crystal Castles has become diluted and Amnesty (I) feels like an awkward side-step, rather than a forward leap Kath has to treat those staying loyal as sweet as possible and so Amnesty (I) unashamedly swings hard for the вЂsame but differentвЂ™ fences If the sense of overfamiliarity is a bit disappointing for a band once lauded as experimentalists, producer Ethan Kath has also retained his knack for writing terrific hooks and warped melodiesДЇeels all the more like a placeholder while the new Crystal Castles discover and redefine themselves While this record is an enjoyable nod to Crystal CastlesвЂ™ legacy, it could have been a bolder introduction to their new line-up This is an unpredictable album, thrillingly and engagingly soДЄs a window into an artist's mind, it couldn't be more transparent. The first safe album from an act that once would have recoiled at such a thought Print edition onlyДЄ pleasing reboot and shows promise that Crystal Castles are not out for the count just yetДЄll in all, Amnesty (I) is a good album, but not an album that stacks up to the first three that Crystal Castles put out

The truth of the matter is that, as long as it's Ethan Kath behind the mixing desk, it doesn't really matter who the singer of Crystal Castles isД«rutally effective industrial lullabies. In this case, quality comes through without much interference from questionable character Sort by ADM rating Sort by most recent review

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